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Montreal Canadiens

«It’s over for him»: Sad scene at Canadiens practice sparks concern over Samuel Montembeault’s future

A bizarre and «unusual» scene at the Montreal Canadiens practice facility this morning has ignited a firestorm of speculation regarding the future of Samuel Montembeault. While the team looks to innovate their drills, the optics of how their veteran goaltender is being utilized have left many observers convinced that his time in Montreal is drawing to a close.

From Starter to «Human Screen»

In a move that stunned those in attendance, new goaltending coach Marco Marciano had Montembeault suit up in full gear—not to guard the net, but to act as a physical screen in the slot. The Quebec-born goalie was positioned to block the vision of young prospect Jacob Fowler, while Patrik Laine fired heavy, elite-level shots from the blue line.

While the drill was designed to help Fowler track pucks through «heavy traffic,» seeing a goaltender of Montembeault’s caliber used as an obstacle rather than a shot-stopper has sent a chilling message through the hockey world.

The end of the road?

The reaction from Montreal insiders was immediate and sharp. Maxime Truman, a prominent voice in the Habs media circle, didn’t mince words after witnessing the session:

«Montembeault isn’t even being used as the second goalie in games anymore; it’s over for him in Montreal. I don’t see how he could be back next year.»

With the rapid rise of young talents like Jacob Fowler and Jakub Dobes, the hierarchy in the Canadiens’ crease is shifting faster than expected. This latest practice «drill» may have been the final signal that the front office is ready to move on.

Slafkovsky continues to dominate

On a more positive note, Juraj Slafkovsky continues to turn heads. The Slovak power forward’s physical development and puck protection have reached «dominant» levels, making him nearly impossible to dislodge in the offensive zone. While the goaltending situation remains a cloud of inc€rtitude, Slafkovsky’s progression remains the brightest light in Martin St-Louis’s lineup.

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